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Multi-focus Memoryscapes: Graham D. Honaker II, William McCarthy, and Hank Paper

Release Date:
2/22/2013 12:00 AM

Multi-focus Memoryscapes, 500px 
From left: Hank Paper, Terminal, chromogenic print. William McCarthy, These Dreams, oil on canvas. Graham D. Honaker II, Metallic Finger Smell, mixed media.


"Multi-focus Memoryscapes: Graham D. Honaker II, William McCarthy, and Hank Paper." Curated by Laura Marsh.


Opening: March 7, 6-8 p.m. through March 28, 2013

M-Th 11-6, F-Sat 12-4


Seton Art Gallery in Dodds Hall, University of New Haven, 300 Boston Post Road


The 3rd century Greek saying, beauty is in the eye of the beholder, is a phrase that not only discusses subjective attraction but can also be applied to artist intuition when choosing a subject.  Whether it is a composition, juxtaposition of imagery, or imagining of an idyllic landscape, all three artists in Multi-focus Memoryscapes approach their work with a sense of intrigue and irony.

Memory, much like a dream, is never sharply in focus or detail but always suggestive, says William McCarthy.

A memoryscape is not an exact representation of a factual world, rather it is an impression or evocation of things remembered.  Many of Graham Honaker’s, Hank Paper’s, and William McCarthy’s memoryscapes invoke nostalgia while some share a subtle humor with the viewer.  There are multiple themes that run throughout the exhibition including commentaries on popular advertising and culture, the longing for an imagined or once visited landscape, and a return to former values or ways of living. 

From moments of quiet reflection with William McCarthy’s soft-focus, dream-like landscapes, all of which are in fact painted from memory; to the urban-scape collage paintings of Graham Honaker II that, like layers of dreams rising up, combine disparate iconography from the past with abstract figurative work that evoke memories of a certain time and place and emotion, to Hank Papers photographs of moments in time that showcase the off-kilter beauty of everyday life, turning the real into the surreal, we offer a palate of projections that will hopefully move the viewer to a place deeper within him-or-herself, says Hank Paper.

In passing through the exhibition, the varied styles and approaches of each artist coalesce via color, references to culture and society, and the feeling of timelessness and weightlessness. 

Originally from New Mexico, Graham D. Honaker II lives and works in Hamden, Connecticut.  He received his BFA from Eastern New Mexico

University. Influenced by Abstract Expressionism, Pop Art, and Street Art, his paintings comment on contemporary society with subjects ranging from potentially harmful political structures to the simple poetics of everyday life.  Also influenced by Existentialism, which emphasizes the act of creating, Honaker exercises his subconscious through auto painting.  He is currently represented by Eidos, LLC.

William McCarthy is originally from Columbus Ohio and works in a basement studio in Hamden, Connecticut.  From memory, he paints variations of the Connecticut landscape, along with images of Cape Ann salt marshes and the flat countryside of Ohio.  These landscapes coupled with an abstract sensibility are reappearing themes and devises that allow him to create the illusion of atmospheric perspective.  His solo exhibition venues include The Center for Contemporary Printmaking in Norwalk, CT, Kehler Liddell Gallery in New Haven, CT, Middlesex Community College,

Middletown, CT, Wesleyan University, Middletown, CT, Weir Farm Trust, Wilton, CT,  Muse Gallery in Columbus, OH, and Trudy LaBelle Fine Arts, in Naples, FL.

Hank Paper documents contemporary culture and society in the streets of North America, The United Kingdom, Western Europe, the Middle East, and Cuba.  He turns the quotidian into the quintessential, the real into the surreal, and the actual into a dream.  His many solo exhibition venues have included The African American Museum in Philadelphia; Hebrew University in Jerusalem, Israel; the High Point Historical Museum in North Carolina; The Jewish Museum of New Jersey; the Morgenthal-Frederics Gallery, the Tamarkin Leica Gallery, and The Harlem School of the Arts in New York.  He has also exhibited extensively in New Haven, where he is a member of the Kehler Liddell Gallery.

Laura Marsh, Director

The University of New Haven is a private, top-tier comprehensive institution recognized as a national leader in experiential education. Founded in 1920 on the campus of Yale University in cooperation with Northeastern University, UNH moved to its current West Haven campus in 1960. The University operates a satellite campus in Tuscany, Italy, and offers programs at several locations throughout Connecticut and in New Mexico and California. UNH provides its students with a unique combination of a solid liberal arts education and real-world, hands-on career and research opportunities. The University enrolls approximately 6,400 students, including nearly 1,800 graduate students and more than 4,600 undergraduates – the majority of whom reside in University housing. Through its College of Arts and Sciences, College of Business, Henry C. Lee College of Criminal Justice and Forensic Sciences, Tagliatela College of Engineering, and College of Lifelong & eLearning, UNH offers 75 undergraduate and graduate degree programs. UNH students have access to more than 50 study abroad programs worldwide and its student-athletes compete in 16 varsity sports in the NCAA Division II’s highly competitive Northeast-10 Conference.